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So he does tackle a semi-original idea here. Director David Wain is known for his odd style as he's written and directed Cartoon Network shows like Children's Hospital and Tim and Eric Awesome Show Great Job. Coop (Showalter) who has a crush on Katie (Moreau), but unfortunately for him, Katie's boyfriend is the ungrateful, incompetent, ignoramus Andy (Rudd). We have Beth (Garofalo), the camp director. The characters are has shallow as the no diving end at a pool. Everyone is scrambling to find someone of the opposite sex, or same sex, to be with so they can share a kiss at the end of the summer talent show. We're at Camp Firewood, a Jewish summer camp, and this is the last day of the summer. Everything is thrown against the wall and the characters wander aimlessly throughout the camp hoping to be hit on the end with some comical elements. The story is just thrown together with odds, ends, and characters. I don't think I'll stick around to find out. Some have said that Wet Hot American Summer gets better with repeated viewings. I did like The Big Lebowski, but didn't see much hope in a rewatch because of the humor only being truly hilarious one time around. They have a certain quotable reputation and are filled with so many random and oddball scenes that they soon get the cult classic status. I think that this film is appreciated by people who also worship The Big Lebowski and the new comedy Our Idiot Brother, also starring Paul Rudd. It succeeds in being different, but not much else.
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It was trying to be a different movie for a certain crowd. I have to say I'm in that category, but I appreciated what the film was doing. If you don't, you are the red-headed step child among your friends and are subject to ridicule because you didn't laugh all that much. Wet Hot American Summer is the kind of movie where you either get it or you don't. However, it is fun to see the return of the bad haircuts, too-short shorts, and high socks that made up that era, along with some great early 80s rock hits. A lot of the movie seems more like a bunch of strung together sketches, which adds to its weakness. Other high points include the Vietnam veteran cook, the loony arts & crafts instructor, and even the children deciding not to play baseball against the anonymously evil-rival camp because they just don't feel like it. Perhaps the funniest moment concerns some of the counselors "hour-long" trip into town which starts out innocently but then degrades into a drugged-out parody where the kids start out smoking cigarettes and quickly go to robbing old ladies to feed their newfound cocaine and heroin addictions.
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It's meant as a parody of all those late 70s, early 80s teen sex romps like Porky's and Meatballs, and while some of the parodies are dead on, others fall rather flat. This movie defintely has its high and low points, the plot concerns the last day of camp in 1981 at a small Jewish summer camp in Maine. Wet Hot American Summer rules! Dolphins suck it!!!
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Anyway, I guess I should say that this isn't a really good.movie, per se, but.well, I have no excuses for it. But, there were many things here that seemed like they must be references to other films. I saw strands that sort of matched what I had seen from old Summer Camp movies I had seen back in high school during the wee hours in the morning during comedy central. No dungeon master goes anywhere without his.20 sided die." I sort of wish I had known what films were being parodied in this movie. That would take some sort of highly advanced supercomputer to work." "Not necessarily. In order for it to work, we would need to have a device that could randomly generate numbers between 1 and 20." "That's impossible. Well, yeah, but that's not the problem." "Oh good." Pure genius!!! Why don't more comedies have lines of dialogue like this? Some other great points: "There is a way we could save everyone's lives. I've got something I need to tell you." "Oh no! You have crabs." "No. We get brilliant lines of dialogue that could only be brought from members of The State, like: "Hey, there's a problem. Seemingly normal character development goes out the window, and characters jump from one complete different personality to another within seconds. From this point on, the film is never the same.
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In a montage shot, they slowly go from reading books at the library, to smoking cigarettes, to smoking joints, to buying cocaine from a guy on the street, to becoming prostitutes, then becoming strung out heroin-addicts at the local crack house.
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The strangest point in this film is a point, about a half hour through, when all of the seemingly normal camp counselors go out in to the city.